This page is about fixed LED walls for premises in Virovitica: how the surface is dimensioned, which build belongs indoors and which faces the street, and what the comparatively short journey from Győr does to the parts of the quotation that have nothing to do with the screen itself. We manufacture the panels ourselves, which is why the finished wall follows your opening instead of a fixed catalogue format.
LED wall in Virovitica — manufacturing, installation, quote
Virovitica has about 19,302 inhabitants and carries the administrative weight of a whole county, which gives it more institutional buildings, more offices and more public floor space than a town of that size would otherwise have. Pejačević Castle on Trg bana Josipa Jelačića holds the city museum and anchors the park at the centre; Trg kralja Tomislava carries the nineteenth-century savings bank building now occupied by Fina; the Viroexpo hall on Trg Ljudevita Patačića gives the town an exhibition and sports venue of a size most county seats envy. Two state roads, the D2 and the D5, cross here, which is why the retail and service premises spread along the approaches rather than clustering only in the old centre. For us the practical headline is the odometer: 291 kilometres from the workshop, one of the shortest runs on our Croatian list.
What does 291 kilometres actually change in the price?
A day return instead of an overnight crew
Roughly three and a half hours of driving separates our workshop from Virovitica, and that single fact removes an entire category of cost. A survey, a commissioning visit or a fault call is a day return: the van leaves early, the work happens, the crew sleeps at home. There is no accommodation line, no subsistence for a second day and no preparation day charged before the installation begins. Compare that with our pages for the coast, where the same visit carries two nights before anyone touches a panel. On a cross-border job the mileage is still shown as its own item and never hidden inside the square-metre rate, so you can see exactly how small it is here.
What size can we actually build?
Widths that divide by 32, heights that divide by 16
Our modules go up in landscape orientation without exception: 32 centimetres wide and 16 centimetres high. Everything follows from that. A wall three metres and twenty across is ten modules; two metres and twenty-four high is fourteen. Ask for three metres and thirty and you have asked for a wall that cannot be put together, because the last column would be a fragment. This is not a preference we could be talked out of, it is how the panels physically join, and it is far better discovered at the enquiry stage than after a drawing has been approved. Where a recess in an office or a hall does not match the grid, we make up the shortfall in the frame.
Where will the screen be read from?
The front row decides the pitch, and the front row is rarely at the wall
Pitch is bought with the reading distance, not with the ambition. In a county office where people queue two metres from the surface, or in a museum interior where visitors stand close enough to touch, we specify between 1.5 and 2.5 millimetres so that small type stays sharp. A screen at one end of a hall the size of the Viroexpo floor is read from five to ten metres by most of the room, and 2.5 to 4 millimetres is the correct and much cheaper answer. Anything aimed at the D2 approach is read at twenty metres and upward from a moving vehicle, where 4 to 8 millimetres shows the message perfectly and the saving goes into the mounting steel.
Indoors or facing the street?
One decision that moves the price more than any other
An outdoor surface is a sealed IP65 assembly running between 4,500 and 5,500 nit, because it has to be legible against a bright sky over an open approach road at midday, and it dims steeply on its own curve after dark. An indoor surface is a different machine: it is not sealed, it works at a fraction of that output, and a screen driven brighter than the room around it simply makes people look away. Clients occasionally ask for the outdoor build indoors on the theory that brighter is safer. It is not: it costs more, it runs hotter and it is uncomfortable to sit in front of.
When is a rolling poster the better buy?
Five upright panels make a wall 320 by 192 centimetres
The upright LED poster stands on castors and needs no fixing to any building, and the point most people miss is that it does not have to stay a single panel. The units chain together electronically and behave as one continuous image surface rather than as several screens showing the same thing. The layout clients settle on most often is five panels side by side: five times sixty-four centimetres gives a wall 320 centimetres wide and 192 centimetres high, near enough to sixteen by nine to take ordinary video without letterboxing. That changes how a purchase can be phased. A shop on Stjepan Radić street or a hotel foyer can start with one unit this year, see whether the content discipline holds, and add panels afterwards to reach the full surface, rather than committing to a mounted wall at the outset and discovering nobody updates it.
Who sends the picture, and what happens if a module dies?
Live input, timed playlists, spare modules and the warranty
Two signal paths cover almost every requirement. A live source over HDMI drives the screen directly, which is what a conference, a camera feed or a presentation needs. Everything routine runs from a timed playlist held on the controller and refreshed over the network or from a memory stick, and because the controller is reachable over Wi-Fi there is no need to run a data cable to the display once power is at the position. Every delivery includes reserve modules that remain on your premises, so a failed panel is usually swapped by your own maintenance staff within the hour; our technician confirms the repair and refreshes the calibration on the next visit. The warranty is one or two years depending on the build.
