This page sets out how a fixed LED wall for a Zagreb address is designed, manufactured and installed, from the first tape measure on site to the handover of the control software. We build the panels ourselves, so the wall is dimensioned around your opening rather than around a catalogue size, and the same team that prepares the quotation carries out the installation and later services it.
LED wall in Zagreb — manufacturing, installation, quote
Zagreb is the closest Croatian city to our workshop: 314 kilometres of motorway, most of it between Győr and the border, then the descent into the Sava basin. That single number shapes almost everything about how we work here. A surveyor can leave at dawn, take facade measurements on a Lower Town block, look at a second site in the western industrial belt around Jankomir and be back the same evening. The capital, home to some 767,000 residents, also holds the densest concentration of shopping floor space, corporate lobbies and exhibition halls in the country, which is why most of our permanent installations in Croatia end up somewhere between Ilica and Novi Zagreb.
Road distance and service response
314 kilometres from the Győr workshop
The drive to Zagreb takes a little over three hours in normal traffic, which puts the city inside our single-day range. Surveys, commissioning visits and most fault calls are handled without an overnight stay, so the travel line in the offer stays small, although it is always shown as its own item and never hidden inside the price of the wall. Because every delivery includes reserve modules, a failed panel can often be swapped by your own maintenance staff before our van arrives; the technician then only has to confirm the repair and refresh the calibration.
The free-standing LED poster as an alternative
One unit now, a continuous surface later
Not every Zagreb address will accept a mounted screen. A shop on Ilica inside a protected Lower Town block, a showroom in Importanne Centar held on a five-year lease, a floor in one of the Green Gold towers where the landlord's fit-out rules govern every fixing: in each case nothing may be attached to the structure, and that is the gap a poster fills. The unit stands on its own rolling base and asks for a socket, which puts the decision with the tenant instead of the owner. The second argument is growth. Poster controllers chain, so several units run as one continuous picture rather than as separate screens repeating the same file, and five of them standing side by side give a surface 320 centimetres wide and 192 high, close to 16:9. You can reach that figure one unit at a time as budgets allow. A mounted wall remains fully available here; this is a choice about tenancy and staging, not about how far we travel.
Indoor screens in retail and office interiors
Avenue Mall, Arena Centar and headquarters lobbies
Inside a mall atrium or a reception hall the ambient light is controlled, so a working brightness of 700 to 800 nit is sufficient; anything higher only tires the eye and shortens component life. Viewing distance decides the pitch. Where visitors pass within two or three metres of the surface, such as an escalator landing in Novi Zagreb, a lift lobby or a boardroom wall, we specify 1.5 to 2.5 millimetres between pixels so that text stays clean at arm's length. Larger interiors with a five to ten metre sightline are better served by a 2.5 to 4 millimetre pitch, which costs considerably less per square metre.
Outdoor walls on the main approach roads
Ilica, Zagrebačka avenue and the Jankomir belt
Screens that face the street are sealed to IP65 and run at 4,500 to 5,500 nit, which is what it takes to stay legible against a bright sky above Zagrebačka avenue at midday, while the automatic dimming curve pulls the output down sharply after dusk. Traffic-facing installations are read from twenty metres or more, so a 4 to 8 millimetre pitch is the sensible choice and the money saved goes into the steel and the mounting instead. Winter matters too: continental frost, damp and road salt spray all argue for a fully gasketed enclosure and a service hatch that can be opened with gloves on.
Signal sources and remote scheduling
HDMI on site, Wi-Fi from the office
Two ways of feeding the wall cover almost every case. An HDMI input takes a live picture straight from a laptop, a camera mixer or a media player standing next to the screen. Alternatively the controller holds a playlist and runs it to a timetable, and that playlist can be replaced over the local network, from a USB stick, or over Wi-Fi, which means a wall on the far side of a courtyard does not need a data cable pulled to it. Marketing staff in a Zagreb head office can therefore change tomorrow morning's content without anyone climbing a ladder.
Warranty terms and the cost lines in a cross-border offer
One or two years, spares in the crate
Depending on the configuration the wall carries a one or two year warranty, and the delivery always includes reserve modules from the same production batch, so a replacement matches the rest of the surface in colour. For a Croatian address the offer lists the journey to site and the daily allowance for the crew as separate entries, with the kilometres named, rather than folding them into a square-metre price. That makes our proposal easy to compare with a local one, and it means a later visit is priced from the same table.
